From field to festival, cathedrals to Westminster Abbey garden and Regents Park, a feature in the Flemish magazine Vlamo.be, music on a TikTok promo, and announcement at the 3 Choirs Festival preview launch.
One of the nicest things for me about being a composer is attending performances, seeing new places and meeting friends old and new, especially when it’s the summer and there’s time to take a bit of a holiday as well. I joined the Lake Wobegon Brass Band from the USA in Yorkshire, Grimethorpe Colliery Band in Kings Lynn, Regent Brass at Westminster Abbey garden (where I also met up with cousins and discovered design work by my grandfather in the Victoria and Albert Museum, more of that another time 🎶), and the National Youth Brass Band of Wales at St David’s in Wales. Closer to home was Lydbrook Band in the Forest of Dean. I also had a wonderful evening at Hereford, attending the preview for next year’s Three Choir’s Festival, where I’ll be writing a new community-based work What the Lark Saw.
I was featured in the magazine Klankbord, published by Vlamo.be (the Flemish Amateur Music Organisation), an article focusing on my work for brass band, wind band and fanfare band. And I found out that part of my work Rhythm of Light was featured on TikTok for the Barbara Hepworth | Art and Life exhibition at the National Galleries of Scotland, a recording made last year by Hepworth Band, conductor Ryan Watkins. There are plans for a performance down south next year.
Everything seemed to go in 5s (is that a thing?!) - 5 performances on 5 subsequent days in August, 5 performances of Serenata and 5 performances of Diamond Fanfare. There was also the premiere of Surtaal Unites and a performance of Antiphonary, inspired by Berkeley Castle in Gloucestershire, and based around original melodies by Vivaldi, found in the Castle’s muniments. Serenata is available to download free in aid of the British Heart Foundation; Diamond Fanfare is with Composers Edition and Antiphonary with Wright and Round.
And at the end of the summer, I ended up playing horn in a tethered hot air balloon at the glorious grounds of Berkeley Castle. I’ve been commissioned to write a community opera by the Jenner Project to commemorate the bicentenary of vaccination pioneer Dr Edward Jenner. Part of the celebrations this year included a balloon event with my Air Balloon Song sung by the audience and accompanied by a brass quintet. I don’t have much time to play these days but it was nice to get back in practice, and the opportunity to perform in an air balloon was too good to miss!
I am truly grateful to everyone who continues to support, programme and play my music, thank you for brightening my summer. 🎶
'Slate, Sea and Sky' will be the soprano cornet test piece for the New Zealand Brass Band Championships Open Brass Solo 2027
'Slate, Sea and Sky' will be the soprano cornet test piece for the New Zealand Brass Band Championships Open Brass Solo 2027
Talking about my compositional journey and musical projects with Adrian Chiles and fellow guests Bear Grylls and Chris Roberts 'The Flamebaster'
Talking about my compositional journey and musical projects with Adrian Chiles and fellow guests Bear Grylls and Chris Roberts 'The Flamebaster'
Brand new wind band arrangement of 'Serenata' premiered by The Bands of HM Royal Marines (Collingwood) in Portsmouth.
Brand new wind band arrangement of 'Serenata' premiered by The Bands of HM Royal Marines (Collingwood) in Portsmouth.

Remembrance Concert
Coleford Community Choir and Lydbrook Band.
All proceeds will be going to the Poppy Appeal.
Interval refreshments

The Midwest Clinic International Band and Orchestra Conference is the world's largest instrumental music education conference, annually drawing approximately 17,000 attendees to Chicago from all 50 states and as many as forty countries.
The Midwest Clinic annual conference offers engaging learning opportunities for high school students, college music majors, new teachers, veteran teachers, and music administrators. Attendees may choose from 100+ clinics presented by leaders in the profession, aimed at teaching specific instruments or sections, conducting and rehearsal techniques, administering a music program, developing strategies for recruitment and retention, strengthening strategies for music advocacy, teaching improvisation and composition, and implementing technology. Two cornerstones of the conference are the Reading Sessions, that highlight new music publications, and the Rehearsal Labs, that demonstrate best teaching practices.Throughout the conference, Performances are presented by a variety of musical groups from around the world, including: string orchestras, concert bands, wind ensembles, jazz ensembles or combos, and a variety of chamber groups. Musicians in these ensembles range from elementary, middle, and high school students, college and university students, adult community organizations, professional musicians, and the premiere performers of The United States Military.

Charity concert featuring the world premiere of Precious Stones, Belshazzar's Feast, Gershwin Piano Concerto in F (soloist Isata Kanneh Mason) and a new commission 'Blow, blow thou winter wind' by Tom Green. Conducted by Chris Hill.
Help Musicians - a charity for professional musicians of all genres, both in work and in retirement. They help at times of crisis, but also at times of opportunity, giving people the support they need at the crucial stages that could make or break their career.
Bristol Music Trust - a cultural organisation promoting music and the arts. It’s responsible for developing a vibrant programme of music and events at Bristol Beacon, and for supporting young people through music education activities in Bristol and the South West.

The New Zealand Brass Band Championships is one of the world’s oldest music competitions.
The first contest was held in the Christchurch Drill Hall on the 17th of April 1880 with an audience of 2500 people. Six bands competed, and the audience chose the winner – the Invercargill Garrison Band, under the command of Captain W.E. Heywood.
Invercargill is a compact city, and all venues are within easy walking distance. The following venues will be used for the solos on Wednesday and Thursday:
Hall 1 Civic Theatre
Hall 2 Wikitoria Room, upstairs in the Civic
Hall 3 St John’s Church, as part of SIT (has a café on site) on Esk Street.
Hall 4 The Central Baptist Church on Deveron Street
Hall 5 (Wednesday only) – for open ensembles - is at the First Church on Tay Street.
On Friday 16 and Saturday 17 April, the A and B Band events will be in the Civic Theatre, and C, D, and Youth will be at the Christian Centre on Leet Street. The Street March route on Friday will run through the beautiful (and flat) Queens Gardens.