It's been a busy six months or so - here's what's been happening with thanks as ever to all involved.
I can't believe it's been so many months since I last updated - there are regular posts on my Facebook page but here's a potted history on 2023 so far:
This week I was delighted that the Besson Quintet (Roger Webster, Tom Stone, Owen Farr, David Childs, Les Neish) played a new arrangement of my Serenata at the Samedan Brass Week in Switzerland (05/07). There's a video so I hope to share that soon.
The lovely OU Choir with whom I've worked with for over a decade, conducted by Bill Strang, gave a second performance of my A different kind of urban with the Cantoribus Ensemble who also premiered Constellations (06/07). It was particularly wonderful to be with them especially as this was postponed from the pandemic.
The Jenner Musical Picnic celebrated vaccination pioneer Dr Edward Jenner (17/06), written, sung and played in collaboration with members of the Berkeley community and guests, where he lived and worked 200 years ago.
The Three Choirs Festival is fast approaching with the premiere of What the Lark Saw (26/07) - an extraordinary coming together of workshop outputs distilled into 5 songs and interludes, also a performance of my Tide and Time (29/07) by Flowers Band with Michael Fowles, and a talk on Edward Jenner (25/07).
In May I went on tour to Belgium with Lydbrook Band who played Shadow Cast by the Sun from Rhythm of Light which traces the life and work of Barbara Hepworth (originally commissioned by Hepworth Band), and was delighted to be invited to the Hepworth exhibition at Towner Eastbourne where two movements - Landscape and Shadow Cast by the Sun were played four times in one day by a band especially got together, conducted by Linda Harvey, to a very appreciative audience.
Grimethorpe Colliery Band played my new piece Beyond the Light, written in memory of Bramwell Tovey, at the RNCM Brass Band Festival and several other concerts too, which has also been recorded. I'll be joining them on their seaside tour in August with a new piece, and music from both the Surtaal Symphony and Bluebird projects.
Lots of other music projects, plans and commissions in the offing, so more updates as and when. Thanks for looking in and to everyone who keeps playing my music and working with me - it's a real privilege and joy.
Talking about my compositional journey and musical projects with Adrian Chiles and fellow guests Bear Grylls and Chris Roberts 'The Flamebaster'
Talking about my compositional journey and musical projects with Adrian Chiles and fellow guests Bear Grylls and Chris Roberts 'The Flamebaster'
Brand new wind band arrangement of 'Serenata' premiered by The Bands of HM Royal Marines (Collingwood) in Portsmouth.
Brand new wind band arrangement of 'Serenata' premiered by The Bands of HM Royal Marines (Collingwood) in Portsmouth.
Serenata recording by Grimethorpe and Jack Stamp featured again on BBC Radio 3's Sunday breakfast show
Serenata recording by Grimethorpe and Jack Stamp featured again on BBC Radio 3's Sunday breakfast show

There's nothing as glorious as the sound of a brass band, the close harmony of a barbershop chorus, or the uplifting power of a church organ. This concert promises to deliver it all!
Featuring the Brass Band of Central England, the Silver Lining Chorus, with a special performance of The Finale from Saint-Saëns' Organ Symphony for brass band and organ, with special guest Organist Rachel Mahon (as featured at the BBC Proms).

The Midwest Clinic International Band and Orchestra Conference is the world's largest instrumental music education conference, annually drawing approximately 17,000 attendees to Chicago from all 50 states and as many as forty countries.
The Midwest Clinic annual conference offers engaging learning opportunities for high school students, college music majors, new teachers, veteran teachers, and music administrators. Attendees may choose from 100+ clinics presented by leaders in the profession, aimed at teaching specific instruments or sections, conducting and rehearsal techniques, administering a music program, developing strategies for recruitment and retention, strengthening strategies for music advocacy, teaching improvisation and composition, and implementing technology. Two cornerstones of the conference are the Reading Sessions, that highlight new music publications, and the Rehearsal Labs, that demonstrate best teaching practices.Throughout the conference, Performances are presented by a variety of musical groups from around the world, including: string orchestras, concert bands, wind ensembles, jazz ensembles or combos, and a variety of chamber groups. Musicians in these ensembles range from elementary, middle, and high school students, college and university students, adult community organizations, professional musicians, and the premiere performers of The United States Military.