
From the album The Edge of Forever.
Following the premiere of Silver Rose narrated by Robert Hardy in 2014, he asked me to compose a piece of music for future performance by the band at his funeral, incorporating classical themes of his choice. Sadly he passed away before the request was formally recorded; however, the music was already partially written and subsequently completed in his memory. The title is a line taken from Song by Isaac Rosenberg, the last movement of Silver Rose.
Robert Hardy’s selection of music was chosen from the following works: opening violin melody from Nielsen Violin Concerto Op. 33 Movement 1 Praeludium (1911); Un Bal 'A Ball' from Berlioz Symphonie Fantastique Op. 14 (1830); motif from Beethoven Symphony No. 5 in C minor Op. 67 Movement 1 Allegro (1804-1808); ‘alphorn call’ from Brahms Symphony No. 1 in C minor Op. 68 Movement 4 (1884); Sibelius Symphony No. 6 in D minor Op. 104 Movement 4 Allegro Molto (1923).

There's nothing as glorious as the sound of a brass band, the close harmony of a barbershop chorus, or the uplifting power of a church organ. This concert promises to deliver it all!
Featuring the Brass Band of Central England, the Silver Lining Chorus, with a special performance of The Finale from Saint-Saëns' Organ Symphony for brass band and organ, with special guest Organist Rachel Mahon (as featured at the BBC Proms).

The Midwest Clinic International Band and Orchestra Conference is the world's largest instrumental music education conference, annually drawing approximately 17,000 attendees to Chicago from all 50 states and as many as forty countries.
The Midwest Clinic annual conference offers engaging learning opportunities for high school students, college music majors, new teachers, veteran teachers, and music administrators. Attendees may choose from 100+ clinics presented by leaders in the profession, aimed at teaching specific instruments or sections, conducting and rehearsal techniques, administering a music program, developing strategies for recruitment and retention, strengthening strategies for music advocacy, teaching improvisation and composition, and implementing technology. Two cornerstones of the conference are the Reading Sessions, that highlight new music publications, and the Rehearsal Labs, that demonstrate best teaching practices.Throughout the conference, Performances are presented by a variety of musical groups from around the world, including: string orchestras, concert bands, wind ensembles, jazz ensembles or combos, and a variety of chamber groups. Musicians in these ensembles range from elementary, middle, and high school students, college and university students, adult community organizations, professional musicians, and the premiere performers of The United States Military.